Other Publications

Georg Philipp Telemann: Twelve Trios
Recent Researches in the Music of the Baroque Era, vol. 100
(Madison, WI: A-R Editions, 2000)

Critical Editions of the Trios
TWV 42:C3, D14, d6, d9, d11, e11, F12, G11, g15, A13, Anh. 42:A1, and h5.

Carl Philipp Emanuel Bach, Keyboard Trios II
Carl Philipp Emanuel Bach: The Complete Works, series II, vol. 3.2
(Los Altos, CA: The Packard Humanities Institute, 2010)

Critical Editions of the Sonatas for Flute and Keyboard, Wq. 83-87

Georg Philipp Telemann, Kammerkantaten
Georg Philipp Telemann: Musikalische Werke, vol. 44
(Kassel: Bärenreiter, forthcoming)

Critical Editions of Sechs Cantaten (TVWV 20:17-22), Sechs moralische Kantaten (TVWV 20:23-28), Sechs Cantaten (TVWV 20:29-34), Cantatas for One Voice and Continuo (TVWV 20:15, 43, 47, 54, 55, 56, 65, 66, 68, 69), and Cantatas for One Voice, One Instrument, and Continuo (TVWV 20:45, 51, 58, 74)

Representative Articles and Book Chapters (PDF):

“The Baroque Concerto in Theory and Practice” (review essay), Journal of Musicology 26/4 (2009): 566–94.

“Telemann in the Marketplace: The Composer as Self-Publisher,” Journal of the American Musicological Society 58/2 (2005): 275–356.

“The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque,” Eighteenth-Century Music 1/2 (2004): 205–47.

“Images of Telemann: Narratives of Reception in the Composer’s Anecdote, 1750–1830,” Journal of Musicology 21/4 (2004): 459–86.

“Naïve Questions and Laughable Answers: An Eighteenth-Century Job Interview,” in Coll’astuzia, col giudizio: Essays in Honor of Neal Zaslaw, ed. by Cliff Eisen (Ann Arbor, MI: Steglein, 2009), 62–92.

“The Overture-Suite, Concerto Grosso, Ripieno Concerto, and Harmoniemusik in the Eighteenth Century,” in The Cambridge History of Eighteenth-Century Music, ed. by Simon Keefe (Cambridge: Cambridge University Press, 2009), 556–82.